The definition of the concept of ceramic painting The concept of ceramic painting has not been well affirmed in academic circles. Mr. Kong Liuqing's 'The History of Chinese Ceramic Painting Art' once defined the concept of chinaware ceramic. He pointed out that 'ceramic painting is based on chinaware ceramic. The painting tools are mainly used for the painting performance of ceramic three-dimensional utensils or porcelain plate planes using materials unique to ceramic painting.” It also explains that the concept of ceramic painting actually belongs to the concept of ceramic decoration, but ceramic decoration includes ceramic painting and color. There are three major categories of glaze and ceramic sculpture. Ceramic painting can also be combined with the other two types of ceramic decoration. At the same time, it also shows from the side that ceramic painting has the largest proportion in ceramic decoration. But I think the concept of ceramic painting mentioned by Mr. Kong Liuqing is relatively general. To explain the concept of ceramic painting only from the craftsmanship of ceramic painting, ceramic painting is only a combination of craftsmanship and decorative art. In 'The History of Chinese Ceramic Painting ArtMr. Yang Yongshan pointed out that “ceramic painting refers to the pure painting expression performed on the flat porcelain white porcelin dinnerware plate of the two-dimensional space. It exists as a painting independently, rather than the decorative patterns on the utensils. It is essentially the same as the general Chinese painting. '. This coincides with Mr. Kong Liuqing's theory. It has always been explained that although ceramic painting is a form of painting, it is a manifestation of arts and crafts due to its craftsmanship, material properties, painting carrier, and most of the painting subjects that have folk art as the content. However, Mr. Kong Liuqing still left a suspense for the future ceramic paintings, 'Ceramic paintings—they have always lacked systematic research and have been in a state of a virgin land uncultivated for a long time.' Just like when Mr. Kong proposed the term 'systematic researchBut when most of us are studying previous ceramic paintings, we have made great explorations in their craftsmanship. Pay attention to archaeological materials and treat them as archaeology. On the other hand, it only pays attention to aesthetic analysis and turns it into an artistic theory, ignoring the part of craftsmanship, and it cannot be called a complete system. In fact, it is not only the history of the development of arts and crafts, it should be historically systematic, with its laws of artistic development and characteristics of the times. Mr. Yang Yongshan stated in 'The History of Chinese Ceramic Painting Medical AdviceThe pattern is essentially the same as the general Chinese painting.' Is this concept the same as that proposed by Mr. Kong Liuqing in the history of Chinese ceramic painting art? What is expressed through ceramic painting is a form of artistic beauty, and it is defined from its artistry—it is one This is through artistic practice activities, the use of lines, shapes, composition and colors, and the use of specific craft materials to draw artistic behaviors with spiritual connotations on porcelain or embryos under certain artistic rules.
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