Ceramic tableware collection has become a hot spot for everyone's attention. But how to identify it among the many porcelain collections? The editor of bone china manufacturers must follow three principles for ceramic tableware collection-truthfulness, precision, and newness. Really enough time. Often many collectors have a little knowledge of porcelain and use the wrong method of 'estimation + statistics' to collect. It is recommended that collectors must have a clear heart and do enough knowledge accumulation. For example, most of the porcelain after the Ming Dynasty was unearthed. The key to looking at the porcelain of this era depends on whether there are unearthed traces. Another example is that although there were porcelains in China during the Shang and Zhou Dynasties, the true value of porcelain began in the late Tang and formed at this time. The situation of 'green in the south and white in the north' is the celadon in the south and the white porcelain in the north. This is closely related to the green mountains and waters in the south and the snow-capped living scenery in the north. Essence is exquisite. Each porcelain tableware represents its social, cultural, artistic, religious and other aspects. To summarize the history, use the aesthetics of the time to distinguish porcelain. Such as Tang's 'Fat' and Song's 'Xiu'. New is the appearance. The newness here does not mean how long the collection is from the present time, but it means that the appearance of the collection must be complete and flawless. is fragile, but the porcelain pieces have not been melted for thousands of years, so the remnants and porcelain pieces survived like a sea of u200bu200bsmoke. But because porcelain is fragile, there are few ancient porcelains that are intact. The financial resources for ceramic tableware who want to buy perfect products are beyond the reach of ordinary enthusiasts. In fact, if you take a step back and put down the main purpose of 'relying on it to appreciate in the future,' you don't have to spend much money, and you can receive a lot of ancient porcelains that are somewhat 'ill' but are also antiques, and also have history, aesthetics and appreciation value. 'It is better to read a book ten times than to see the real one.' If you want to understand porcelain, you must start with broken porcelain. The fragments and residual porcelain of ancient porcelain tableware are the best specimens for studying and researching ancient porcelain. Generally speaking, the authenticity rate of disabled ancient porcelain is very high. In fact, the collection of disabled ancient porcelain can also maintain and appreciate its value. If ceramic white porcelin dinnerware can be obtained in the process of collection with extremely high research value and artistic value, or can fill the gaps in dating or kiln mouth data, it is extremely likely to continue to appreciate, and if such damage Remnants get better repaired, and its appreciation rate will be even more impressive.
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