The difference between traditional ceramics and modern ceramics

We call the past and ancient works often called Guge, traditional ceramics. These traditional ceramic works are mainly based on traditional modeling concepts, using traditional molding techniques or modern industrial technology to manufacture or imitate products from that era. Many workshops like Liling are still imitating representative vessels of the Yuan, Ming, and Qing dynasties. This part of the pottery products are mostly used for furnishings or decorations. Different from the daily products produced by large machines such as molded and pressed bowls and dishes used in our daily life, modern ceramics are mainly formed by hand, and traditional molding methods can be used, but mainly based on the subjectivity of the creator. Get to know the work to be created. The process from the production to the firing of the work has distinctive characteristics. The practical nature of the work varies from person to person, and it can be used or displayed. The biggest difference between modern ceramics and traditional ceramics lies in their understanding and performance of materials. Traditional ceramics are subject to the technical means and subjective understanding of people at the time. They pursue the exquisite craftsmanship, complete and flawless, and require materials to satisfy people's will to the greatest extent, which reflects the absolute control and conquering of materials. Modern chinaware ceramic does not conquer materials, but adopts an attitude of conformity and will, making full use of the characteristics of materials to create corresponding works, making them in accordance with the materials, and giving play to the greatest advantages of materials, such as retaining some artificial traces in the creation process. Or when the material is still soft, it is accidental and random to leave marks, deliberately leaving some flawed bottles and cracks, so that after the creation is completed, people can carefully experience and verify the process of the creation of these traces. Fun, this is undoubtedly aggravated the meaning of humanity in the understanding and performance of materials, and this meaning is a new sublimation of the relationship between people and things in materialized creation. This process reflects the interactive relationship between man and soil. In the process of shaping, the traces left on the soil will eventually appear in front of our eyes, and the work is a reproduction of different people's cognition of the soil. When we look at these works, the soil itself is a good medium. It enables mutual understanding between creators and between creators and viewers: what kind of temperature state is the soil in? Only then can it be made like this; the clay man confirms that critical moment, the most natural desire for expression flowing out of the creator's heart, this moment is vividly displayed, and the clay is simultaneously injected with a kind of magic. From this point on It can be seen that modern ceramics has changed the relationship between people and things, from separate and independent individuals in the past to a state where the two are now blended with each other. As a result, art has entered our lives little by little, and even in people's hearts.

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