The artistic conception of ceramic painting

In ceramic painting creation, the understanding and grasp of the shape of the vessel is particularly important. What kind of vessel shape is suitable for drawing and what subject matter must be carefully considered. The understanding and grasp of the vessel shape mainly focus on the following points: 1. Large, cylindrical The shape of the vessel has a large viewing area, so it is best to paint a panoramic view; the visual device type can only paint one theme, such as painting landscapes, such as Zhangjiajie, Huangshan, Hengshan and other scenic spots. One scene; painting flowers and birds, in order to highlight the theme, to avoid clutter, it is best to paint only one or two scaly flowers per bottle, so that the picture is fresh and lively, while maintaining harmony and unity in the color; 'Scattering methodThemes such as, beasts, etc., can be swayed freely, and more themes and elements can be displayed on a utensil. 2. The spherical shape and the surface curve have large undulations, including the elongated cone shape, which is suitable for creating small flowers, birds and figures in the style of folding branches. In order to highlight the theme, in general, a porcelain white porcelin dinnerware vase can be carefully traced and portrayed in two to three places before and after, and the rest may be left blank or blurred, so that the picture looks sparse and dense, virtual and solid, and more It's worth pondering. On the one hand, the white space is to reflect the unique porcelain white and glaze color of Liling porcelain white porcelin dinnerware, as well as the 'thin' and 'transparent' porcelain quality; on the other hand, it is also to express the unique technique of traditional Chinese paintings of 'whitening as black'. At the same time, according to the characteristics of the instrument, without affecting the theme of the picture, it is also possible to use decorative patterns on the upper and lower ends as appropriate. 3. Among ceramic paintings (except for porcelain white porcelin dinnerware panel paintings), the biggest difference with Chinese paintings on rice paper is that one is three-dimensional and the other is flat. This puts forward higher requirements for the composition of ceramic paintings. It is required that when it can rotate for a full circle, it can be well reflected in any picture that is rotated to any place, that is, the so-called face-to-face view of the ancients, in order to interact with the viewer and enter a realm of living, swimming, and immersive. Therefore, the composition of the painting on the porcelain vase, whether it is fine brushwork or freehand brushwork, is the key to creating a good product. It must have a reasonable and natural and ingenious connection, so that the viewer is refreshing and pleasing to the eye.

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