Several common glazing methods for ceramic tableware

Whether it’s ceramic white porcelin dinnerware, ceramic cups, or ceramic crafts, glazing will be used to make the ceramic look more beautiful and attractive, and it will also make the surface of the ceramic smoother. At the same time, it can protect the decoration under the glaze to reduce oxidation and extend the ceramic. Long life! Ceramic glazing is actually applying glaze slurry on the surface of the formed ceramic body. There are various types of glazes, and the glazing methods used for the blanks of different thicknesses and vessel types are also different. Let's follow the editor of ceramic tableware tableware to learn about several commonly used glazing methods. Commonly used glazing methods include dip glaze method, glaze filling method, glaze spray method, brush glaze method, spray glaze method, sprinkle glaze and so on. 1. Dip glaze method The most basic glaze application method is not suitable for larger ceramic bodies. The glaze dipping method requires more glaze slurry. The utensils are placed in the glaze slurry obliquely, and the glaze can be dipped for 2 to 3 seconds. The time should not be too long, otherwise the body will easily collapse. The glaze dipping method can evenly distribute the glaze of the green body, which is more trouble-free and time-saving. 2. The glaze filling method is also called the glaze dipping method, which is suitable for bodies with a small mouth and a deep abdomen, such as small mouth bottles. Pour the glaze slurry into the green body, swing up and down to make the glaze slurry evenly hung on the green body, pour out the excess glaze slurry, and then continue to rotate the green body so that no glaze slurry remains at the mouth of the vessel. The number of glaze swings cannot be more than twice, otherwise it is easy to produce bubbles. The speed of glaze dampening should be fast, otherwise it will easily cause the body to soften. 3. The glaze spraying method can directly hold small objects and pour the glaze on top of the glaze slurry container. Note that the flowing glaze slurry should flow into the glaze slurry container. For larger bodies, you need to place an iron mesh in the glaze slurry container. Or wooden brackets, put the utensils on top for glazing, large bodies generally require two people to cooperate, and the two people use the same technique to make the glaze on the body uniform. 4. The glaze brushing method is also called glazing, which is to use a brush or brush to dip the glaze slurry and apply it on the ceramic body. It is suitable for small area painting (partial glazing or patching), painting with glaze, and different applications on the same body. Glaze or rectangular objects with edges and corners such as porcelain paintings. When brushing the glaze, pay attention to the thickness of the brush with different glaze colors and the uniformity of the glaze on the body. It is not advisable to brush repeatedly, otherwise it will easily cause deglaze. 5. Glaze spraying method, also known as glaze blowing method, uses a spray gun or sprayer to atomize the glaze slurry onto the surface of the body. Depending on the glaze, the number of glaze spraying is also different, ranging from a few times to as many as seventeen or eighteen, so as to achieve multi-color glaze and thicker glaze layer. The glaze spraying method is suitable for large blanks, thin tire blanks, etc. The bottom of the blank should be sprayed thin to avoid glaze flow, check whether the glaze layer of the blank is uniform, and repair the glaze and scrape the bottom according to the situation. 6. Sprinkling glaze is also called twisted glaze and wine color. It is when one kind of glaze has been applied to the green body, or with the help of a porcelain white porcelin dinnerware tool-turntable, while rotating the turntable, sprinkle another kind of glaze on the green body or Rotate the body directly to sprinkle another kind of glaze on it, there are two kinds of sprinkling glaze and partial sprinkling glaze. The uniqueness of sprinkling glaze is that the artistic state it presents is very random, and the patterns that appear may be different states such as lines, spots or nets.

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